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In The Music’s All That Matters, Paul Stump reassesses Progressive Rock in terms of transcendentalism, 1960s pop culture and the rise of the rock musician as Romantic Artist. He takes a wide ranging view of the social and cultural background and has carried out extensive interviews, paying equal attention to artists whose reputation has remained high and to those mocked by the punk reaction. First published in 1997 this fully revised and updated edition shows how Prog Rock has continued to recover from its post punk low and includes both the surviving older bands and emerging figures.

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